Tedium is inevitable as we watch these Tudor heirs wait.
The bloodlines, if not the ambitions, of three Tudor sisters imperil their lives.
Gregory’s multivolume chronicle of the Tudor dynasty, with its emphasis on the women, now turns to the ill-fated scholar and Protestant reformer Jane Grey and her two sisters, Katherine and Mary, grandnieces of Henry VIII. Upon the death of Henry's sickly son, King Edward VI, Jane, through complex machinations on the part of Protestant nobles wishing to block the accession of papist Princess Mary, takes the throne of England. In a matter of days, as told in Jane’s first-person section—one of three, each narrated by a Grey sister—Jane is deposed by Princess Mary’s forces and, after several months' imprisonment in the Tower, beheaded. As a lady-in-waiting to Queen Elizabeth, who has succeeded Princess Mary, Katherine thinks the Greys are out of danger until she marries her lover Edward "Ned" Seymour in secret, without royal permission. Through a drawn-out tragedy of errors, most ascribable to youth, bad timing, and political naiveté, Katherine and Ned find themselves in the following predicaments: he goes on an extended tour of France and Italy having been assured by Katherine that she is not pregnant, though she later learns that she is. Ned’s sister Janey Seymour and the officiating minister, the only witnesses to the marriage, die and disappear, respectively. Unable to reach Ned, who is not answering her letters, Katherine seeks help elsewhere but is universally rebuffed, then arrested; she gives birth to her son in the Tower. Katherine’s section of the book, the longest, drags: since she knows very little, her first-person point of view cannot enlighten the reader, who spends many pages mulling over multiple mysteries: why is Ned incommunicado? Will he return? Can Katherine prove her son is legitimate? Will Elizabeth pardon her? Etc. The third sister, Mary, due to her diminutive size, assumes she is beneath Elizabeth’s notice in all respects, but when she emulates Katherine’s mistake, she and readers are again forced into a limbo of pondering the queen’s next move.
Tedium is inevitable as we watch these Tudor heirs wait.Pub Date: Aug. 8, 2017
ISBN: 978-1-4767-5876-3
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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