As usual, Gregory delivers a spellbinding (and definitely York-biased) exposé.
In the aftermath of the Wars of the Roses, the new queen of Henry VII, founder of the Tudor dynasty, struggles with divided loyalties.
After he returns from exile to defeat Richard III in the Battle of Bosworth, Lancastrian conqueror Henry Tudor marries Yorkist princess Elizabeth, daughter of Richard’s predecessor, King Edward IV. The marriage, intended to finally reconcile the warring Yorks and Lancasters, does the opposite. Edward’s dowager queen Elizabeth Woodville (The White Queen, 2009) and her sworn enemy Margaret Beaufort, Henry’s mother (The Red Queen, 2010) engineer the marriage, each to promote her own agenda. Princess Elizabeth, who had been the lover of Richard III, is horrified to have her distrust of Henry and his mother confirmed by a pre-wedding rape: Henry and Margaret want to make sure she proves fertile before vows are taken. After her marriage, and the “premature” birth of son Arthur, Elizabeth forms an uneasy truce with Henry that will lead, eventually and after the birth of more children (including future king Henry VIII), to an interlude of genuine affection. However, her mother and she remain York sympathizers at heart, particularly after their young cousin Edward Warwick is placed under house arrest in the Tower. This is an ominous reminder of the imprisonment of King Edward and Queen Elizabeth’s two sons, Edward and Richard, in the Tower, from which they later disappeared. Rumors abound: Prince Richard may still be alive and may be coming to England to assert his entitlement to kingship, far superior to Henry’s. Both Elizabeths know more about such claims than they dare let on: Years before, they had substituted a pageboy for Richard when the two princes went into captivity. A ruthless monarch who rules by intimidation, Henry can never escape the nagging fear that a Yorkist heir will unseat him, especially since the Yorks are so much more likable and better looking than the Tudors.
As usual, Gregory delivers a spellbinding (and definitely York-biased) exposé.Pub Date: July 23, 2013
ISBN: 978-1-4516-2609-4
Page Count: 544
Publisher: N/A
Review Posted Online: May 29, 2013
Kirkus Reviews Issue: June 15, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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