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THE WAY TO SATTIN SHORE

Here is Kate Tranter coming home from school in the January dusk—the first to come, because she is the youngest of her family." With that plain, brisk, insinuating opening—the introduction, also, to the occupied house "with no lit window"—there begins a child's searing initiation into adult secrets, cruelty, shame: Philippa Pearce's most ambitious book since the unforgettable Tom's Midnight Garden. Kate, an inward child (about ten) attached to her cat Syrup, believes her father to have drowned the night she was born and to be buried in the churchyard. Then the headstone disappears, and Kate learns that unknown "Uncle Bob" was the Alfred on the headstone—and her own father, Frederick, has just recently died: the message in dour Granny Randall's mysterious letter. From oldest brother Ran—once fond, now secretive too—she has heard of "something awful" that happened, about the time Dad supposedly died, on also-unknown "Sattin Shore." A bicycle trip there—a spot on the estuary, next-older brother Lenny knows—is exhausting, unnerving. (What about the cryptic old woman, looking at Kate so curiously, mumbling about drowning? What was the man with the binoculars doing?) At home, mystery crowds upon mystery, distress upon distress. "The eyes of a stranger"—with a face like Ran's—"looked at her from over her shoulder, from the dim depths of the mirror." Syrup disappears, then reappears in the loft under the roof. (Could feeble Granny Randall really have gone up there? Why?) The resolution will not only Explain All, it will (as you'll have guessed) restore Kate's Dad to the family, much chastened (he disappeared after circumstantial implication in Bob's drowning), and leave Kate, who has been fierce beyond pluck or spunk, content to look forward—"to her birthday in July, and the great good changes that were promised." The mystery is a cover, of sorts, for emotional and psychological baring that would otherwise be too much.

Pub Date: April 9, 1984

ISBN: 0192792407

Page Count: 272

Publisher: Greenwillow Books

Review Posted Online: May 7, 2012

Kirkus Reviews Issue: March 15, 1984

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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