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PERFECT, ONCE REMOVED

WHEN BASEBALL WAS ALL THE WORLD TO ME

Removed from perfect indeed, but all the more charming for it.

YA author Hoose (The Race to Save the Lord God Bird, 2004, etc.) recalls his youthful obsession with baseball and the profound impact of his casual friendship with a famous cousin who played for the Yankees.

Growing up in 1950s Indianapolis, the author loved nothing more than baseball. With the help of indulgent parents who subscribed to nearly every magazine about the sport, he quickly became the neighborhood expert, even fielding phone calls from his barber to settle arguments. Despite his voluminous knowledge, Hoose was dismayed by his lack of prowess on the field, where he was often the last one chosen. Just as he seemingly reached his pre-adolescent nadir, his father mentioned that he was related to none other than Don Larsen, a pitcher for the New York Yankees. The boy wrote to his second cousin about his struggles and received an encouraging note in return, setting in motion a long-distance relationship that would have a significant effect on Hoose’s life (though Larsen would only vaguely remember the details years later). Once word spread about his famous relation, he quickly became something of a local celebrity, especially after Larsen pitched the only perfect game in World Series history, in 1956. Though it took place during school hours, Hoose managed to see a few innings thanks to a comically frantic arrangement with his mother, who rode his bike to school at lunchtime so that he could pedal it back home, eat while watching the game, then race back to school just in time for class. These idyllic remembrances perpetuate the pervading cliché that sport was a better, purer pursuit in the past. Hoose’s genuine passion for the game shines through, however, and the self-effacing descriptions of his boyhood troubles make you want to root, root, root for the kid with the big glasses and the wild arm.

Removed from perfect indeed, but all the more charming for it.

Pub Date: Oct. 3, 2006

ISBN: 0-8027-1537-0

Page Count: 176

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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