Up-and-down humor that sometimes gets to the heart of the realities of being black in America.
A black female comedian lays it all out there.
Stand-up comic and co-star of the WNYC podcast 2 Dope Girls, Robinson has a lot to complain about, starting with the need people have to touch her hair. In case readers fail to pick up on her humorous vibes regarding hair, the author includes a second chapter on the history of black hair in film, TV, and other media. Throughout the book—a hybrid of humor, truth-telling, and poking-fun-at-life-in-general—Robinson delves into what it means to be a woman and black and, more importantly, a black woman in today’s American society. Filled with references to pop culture and plenty of hashtags, the narrative addresses issues like how to avoid being the one black friend in a group of white people, the difficulty of being hired to play a role in a show because you’re either too black or too light, and why NFL players need to treat women better. She gives readers her list of nine guilty pleasures (No. 1: “Ranking Members of U2 in the Order of Whom I Want to Sleep With”; The Edge is first) and a list of demands for a future female president, including penalizing those who perpetuate the thigh-gap obsession. She also explains why “Lisa Bonet is Bae. Queen. Jesus” and waxes poetic on why she takes her laundry home to her parents’ house. “If a person were to play [the dryer] in a movie—don’t ask me why—it would be played by Meryl Streep,” she writes. “The dryer is that damn good.” Although the humor is forced and tiresome in places, Robinson does hit the mark on some important issues, and fans of her podcast will enjoy the book.
Up-and-down humor that sometimes gets to the heart of the realities of being black in America.Pub Date: Oct. 4, 2016
ISBN: 978-0-14-312920-2
Page Count: 320
Publisher: Plume
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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