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SIGH, GONE

A MISFIT'S MEMOIR OF GREAT BOOKS, PUNK ROCK, AND THE FIGHT TO FIT IN

A highly witty and topical read—an impressive debut.

A high school Latin teacher and tattoo artist’s memoir about immigrating to small-town America from Vietnam and learning to fit in through reading, skateboarding, and punk rock.

Tran and his parents fled Saigon as war refugees in 1975, and they eventually settled in Carlisle, Pennsylvania. There, they became the lone Asians in a town that “offered all the rainbows of Caucasia.” Local children taunted Tran throughout childhood while neighbors and co-workers saw his parents as amusing curiosities or “symbols of a painful and confusing war…of the people who had shot at them and killed their friends, brothers, and sons.” As he neared adolescence, Tran decided that he could solve his problems by trying to “be less Asian.” First, he developed “social Teflon” by earning top grades in all his classes, deciding that he “would take nerd props over no props at all.” He further learned to deemphasize his otherness by joining the skateboarding subculture as a young teen and adopting a punk persona. Even though he was a good student, however, the author sometimes came up short of parental expectations for perfection, with excruciatingly painful results. During his junior year of high school, he stumbled across a guide to classic literary texts touted as “the foundation for being ‘all-American.’ ” Eager to assimilate, Tran immersed himself in works like The Metamorphosis and The Importance of Being Earnest. He became more self-reflective and developed an unexpected passion for books, which he highlights by naming each chapter after a favorite work of literature (Madame BovaryPygmalion, etc.). At the suggestion of a history teacher, Tran read The Autobiography of Malcolm X, which heightened his awareness of white racism toward Asians and of the racism he saw in his own father toward blacks. Funny, poignant, and unsparing, Tran’s sharp, sensitive, punk-inflected memoir presents one immigrant’s quest for self-acceptance through the lens of American and European literary classics.

A highly witty and topical read—an impressive debut.

Pub Date: April 21, 2020

ISBN: 978-1-250-19471-8

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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