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EDDIE, INCORPORATED

With his father in the produce business, his mother selling homemade goodies, his oldest brother already assistant manager of a shoe store, and his high school brother already working toward a banking career, Eddie too wants a business: "He wanted a desk with a phone on it. . . . He wanted to be a boss." But he and his two friends abandon their aluminum can recycling company when it becomes evident that they are working for one and a half cents an hour each. A lawn mower collision squashes their three-at-a-time lawnmower service. Eddie's foot-odor fighter doesn't work, nor does the trio's neighborhood newspaper. The middle school principal outlaws their 25¢-a-head protection business, even though they deal not in mafia-style threats but in real protection. But all through these episodes are references to the surplus of little kids in the neighborhood and the shortage of sitters, so it's no surprise when Eddie's success turns out to be a baby-sitting agency. Filling in as sitter for Herman the terrible when the scheduled sitter gets sick is nc fun, but Eddie is a responsible boss—and his family's twelfth-birthday gifts of a business calendar, ledger, rubber stamp, and extension phone show that they take him seriously. The story reads smoothly enough, but it's unoriginal in outline, and not bright enough in its particulars to function as anything but a time filler for junior-achievement types.

Pub Date: April 1, 1980

ISBN: 0689710364

Page Count: 101

Publisher: Atheneum

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: April 1, 1980

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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