After her best friend moves away, sixth-grader Lee Bloom meets some neighborhood children whose imaginative games fighting pirates in the attic of their home capture her imagination. It is 1960 and Lee attends the local public school while her new best friend, Polly Burke, goes to parochial school. Her new friend’s Catholicism presents problems for Lee on more than one front. Lee is Jewish and her mother, who came to Poland as a girl but whose parents perished in the Holocaust, distrusts all non-Jews. Her fears about permitting Lee to play at Polly’s house are partly justified when Polly’s mother leaves religious tracts in Lee’s books urging her to be saved before it is too late. Disturbed as she is by the prediction that she will go to hell, Lee refuses to blame Polly for the actions and attitudes of Polly’s mother. Nevertheless, Lee cannot disobey her own mother, who has forbidden her to play with Polly. Meanwhile, a school project about George Washington Carver makes Lee increasingly aware of the existence of prejudice and intolerance, which, as she observes from the behavior of the adults around her, has not yet disappeared. Lee herself slips when, in anger, she insults the African-American super of her apartment building who has befriended Lee’s nemesis, Eddie. Everyone is reconciled in a satisfying conclusion, except perhaps the unrepentant Mrs. Burke. The fantasy game involving pirates and Peter Pan that so engages Lee and her friends may strike readers of a comparable age as childish, but Shalant (Bartelby of the Mighty Mississippi, 2000, etc.) tells a good story that emphasizes the relationships among the characters rather than the religious or political issues. (Fiction. 8-11)
Pub Date: Sept. 1, 2002
ISBN: 0-525-46920-6
Page Count: 176
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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