by Pico Iyer ‧ RELEASE DATE: April 16, 2019
“Bright though they are in color, blossoms fall,” Iyer hears schoolchildren singing. “Which of us escapes the world of...
The acclaimed travel writer and journalist meditates on the impermanence of life.
Like many others, Iyer (The Art of Stillness: Adventures in Going Nowhere, 2014, etc.) reveres the beauty and portent of autumn. Japan, he writes, wants the world to think of it as the land of cherry blossoms, “but it’s the reddening of the maple leaves under a blaze of ceramic-blue skies that is the place’s secret heart.” Iyer—who divides his time between California, where he cares for his mother, and Japan with his wife, Hiroko, and her two adult children from a previous marriage—writes that autumn “poses the question we all have to live with: How to hold on to the things we love even though we know that we and they are dying.” The author chronicles how Hiroko’s nonagenarian father had recently died. Her mother, whose memory was failing, complained, “I have two children…and I have to live in a nursing home. Until I die.” The second child is Masahiro, who severed all contact with his family. Throughout the narrative, the author mixes musings on the ephemerality of existence with scenes of quotidian life, most notably his visits to the local ping-pong club for “maverick games on Saturday afternoons” with elderly club patrons with vivid memories of the war. Some readers may be put off by Iyer’s decision to render Hiroko’s English dialogue in fragments—e.g., “you remember last week, I go parent house little check my father thing?” Late in the book, he refers to her “homemade, ideogrammatic English,” but the rendering will still strike some as insensitive. Otherwise, this is a thoughtful work with many poignant moments, as when Iyer and Hiroko take her mother on a drive past Kyoto’s temples and, in a moment of clarity, she starts crying when she remembers visiting them with her husband.
“Bright though they are in color, blossoms fall,” Iyer hears schoolchildren singing. “Which of us escapes the world of change?” This moving work reinforces the importance of finding beauty before disaster strikes.Pub Date: April 16, 2019
ISBN: 978-0-451-49393-4
Page Count: 256
Publisher: Knopf
Review Posted Online: Jan. 12, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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