by Pilar López Ávila ; illustrated by Mar Azabal ; translated by Jon Brokenbrow ‧ RELEASE DATE: April 1, 2018
A marvelous tale of one girl’s passion for reading, writing, and learning
Sandwiched between endpapers of yellow-lined paper showing the upper- and lowercase cursive alphabet, this quiet story shouts the pricelessness of literacy.
In an unnamed rural country, three brown-skinned children dance in the streets because the war has ended and they can finally return to school. No one feels more excited than Ayobami, the young protagonist wearing a checkered blue-and-white dress and with cornrowed, beaded hair. On her way to school, clever Ayobami negotiates her way out of becoming breakfast for a hippo, a crocodile, a leopard, a snake, a spider, and a mosquito by promising each she’ll give them their names on paper when she returns from school. She delivers on her promise, but, having given away all evidence of her newly acquired literacy, she has nothing to show her disappointed father at home—but the wind’s magic reveals Ayobami’s accomplishments. The book’s surreal illustration style varies widely throughout, keeping readers engaged with shifting colors, patterns, moods, and textures. Paced differently from most American picture books, this one also has hefty, durable “stone paper” pages that are “waterproof and tear resistant” and “produced without water…trees and…bleach,” making the book a green choice. Letters appear in unlikely places throughout this story—among the leopard’s spots; in the spider’s web—emphasizing that reading can always help expand our understanding.
A marvelous tale of one girl’s passion for reading, writing, and learning . (Picture book. 4-8)Pub Date: April 1, 2018
ISBN: 978-84-16733-42-2
Page Count: 30
Publisher: Cuento de Luz
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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