by Pilar Serrano ; illustrated by Canizales ; translated by Claire Storey & Ben Dawlatly ‧ RELEASE DATE: Aug. 27, 2019
Thin characterization and an unsatisfying ending make this one to miss.
A bully causes a group of kids to find a solution to their playtime dilemma.
Ever since Emma’s arrival, Ana’s been isolated from her longtime friends, rumored about cruelly, and made to give up her lunches. Fearing the embarrassment of tattling, Ana suffers in silence—until her friends get the same kind of treatment and decide, one by one, to form their own play group. Despite threats, the group grows bigger each day until Emma is left alone and must sheepishly ask to join them all. This timely book about bullying and power dynamics unfortunately falls short on nuance and ends abruptly. The lesson from Spanish author and kindergarten teacher Serrano seems to be that kids should wait a bully out instead of getting an adult involved. And Emma herself is presented only as a frowning ball of anger and spite; it’s unclear what her motivations are and how, as a new kid in school, she was able to take control so easily. What both the English and simultaneously publishing Spanish versions of the book do get right, though, is the feeling of being trapped in an uncontrollable school power dynamic, illustrated with plenty of sweat and frowns. There’s the gulps, the tummy aches, the anxiety of feeling picked on and singled out. Emma presents white, Ana has brown skin, and the other kids are diverse.
Thin characterization and an unsatisfying ending make this one to miss. (Picture book. 4-8)Pub Date: Aug. 27, 2019
ISBN: 978-84-17123-46-8
Page Count: 40
Publisher: NubeOcho
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Susanna Isern ; illustrated by Esther Gili ; translated by Cecilia Ross
by Susana Torrubiano ; illustrated by Giulia Orecchia
by Raquel Díaz Reguera ; illustrated by Raquel Díaz Reguera ; translated by Cecilia Ross
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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BOOK REVIEW
by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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by Susan McElroy Montanari ; illustrated by Jake Parker
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