Brilliantly weird. Weirdly brilliant.
Three giants on an interstellar spacecraft are rapidly running out of room—and they just keep growing.
As unconventional as the premise of New Zealander Adam’s novel seems, the reality is far stranger. Three giants—Stanley, Alba, and Drew—are seemingly all that remain of the spacecraft Audition’s original crew of 18. They can’t be sure of this, however, as they are totally immobile, crammed into whatever spaces they could find large enough to accommodate them when, already enormous compared to “normal-sized humans” at the outset of the voyage, they grew at an exponential rate, with catastrophic results. These giant crew members, “dangerous and annoying” on Earth, were trained to operate the ship in the classroom—an open-air stadium where they were subjected to a barrage of mind control techniques that have made them docile and stripped them of any memory of their prior lives. The spacecraft Audition operates through the mysterious, almost alchemical, process of turning “[their] noise into speed and steering.” Though the goal of their mission is uncertain, Stanley, Alba, and Drew have been trained to keep up a constant stream of inane conversation to make sure the ship’s functions continue to operate, including the artificial gravity that “keeps humans small.” Why did the crew enact an apparently total “silent rebellion” against Audition itself, the consequences of which are what have Stanley, Alba, and Drew crammed up against the rafters? The novel’s three simultaneous narrators don’t know—their agency almost totally stripped from them by their physical suffering, lingering amnesia, and the need to keep up a constant stream of mind-wiping chatter—but a careful reader can begin to put together the story behind this story as snatches of the lives the giants lived “before the classroom” begin to come into focus. Stunningly inventive, this book is told in three parts that explore the simultaneity of past, present, and future as the three main characters’ voices loop and swell around each other. Though readers may find themselves challenged by this form—akin to Virginia Woolf’s The Waves meeting a 21st century version of Philip K. Dick—the rewards of a sustained read are abundant.
Brilliantly weird. Weirdly brilliant.Pub Date: June 10, 2025
ISBN: 9781566897310
Page Count: 240
Publisher: Coffee House
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
BOOK REVIEW
PERSPECTIVES
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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