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MARY POPPINS

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...

Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.

Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)

Pub Date: Oct. 23, 2018

ISBN: 978-1-328-91677-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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FIELD TRIP TO THE MOON

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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JOSÉ AND EL PERRO

Cuándo quieras un perro feliz, look no further.

A young Latine boy finally gets to rescue the dog of his dreams, but training can be a challenge in two languages.

Like many children, José has been dreaming of having a pet of his own, specifically un perro, a dog. Like any good owner, José promptly begins training his new canine companion but soon realizes his rescue mutt, Feliz, knows only words in English. This is a problem because in José’s home everyone speaks both Spanish and English. José and Feliz must rise to the challenge; fortunately, treats and snuggles are great motivators. The narrative uses Spanish words and phrases throughout (“perros blancos,” “¡Yo quiero este!” “¡Sientate!”), usually with English context clues for understanding. This is complex vocabulary for an early reader, and the shifting in phonics from English to Spanish will be challenging for true beginners; the book is best suited for intermediate to advanced readers in dual-language classrooms or homes. Much like Feliz, however, it is sure to find a loving (and bilingual) home. Cheerful illustrations complement the text, helping readers make sense of the narrative. While José and his mother are darker-skinned, his father and sister are lighter-skinned. (This review has been updated for accuracy.)

Cuándo quieras un perro feliz, look no further. (glossary of Spanish-English words) (Early reader. 6-8)

Pub Date: April 25, 2023

ISBN: 978-0-593-52116-8

Page Count: 48

Publisher: Penguin Workshop

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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