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A LION IS A LION

Proudly shelve this near The Cat in the Hat and What Do You Say, Dear?

Two children must decide how far to trust a dapper lion who insinuates himself into their home.

The initial double-page spread shows an unadorned, stylized male lion glaring out at readers, vivid against the stark white pages. In emphatic black print: “This is a lion. Fierce, isn’t he? Too fierce for you? / Well….” There follow pages of humorous, gently rhyming “what if” questions regarding whether the lion is still a lion if he, for example, wears a hat and carries an umbrella. The ink-and-wash artwork is vivacious, including a wonderful, frameworthy spread of the lion, clad in his blue jacket, joyfully dancing with the two children, both light-skinned, about their house. After the lion—staying for lunch—devours both his greens and the china plate itself, he turns his attention to the children for “pudding” (the English equivalent of “dessert”). A high-alert, reddish background replaces white for the next few pages. Art and text use just the right amount of thrills, chills, and comedy to underscore the importance of saying “No” to threatening behavior—even if it was preceded by seemingly innocent fun. The layout of the book is well-suited to the ebullient art and lighthearted text. From start to finish, the spirits of Dr. Seuss and Maurice Sendak hover happily.

Proudly shelve this near The Cat in the Hat and What Do You Say, Dear?  (Picture book. 3-6)

Pub Date: April 24, 2018

ISBN: 978-0-7636-9731-0

Page Count: 40

Publisher: Candlewick

Review Posted Online: Feb. 18, 2018

Kirkus Reviews Issue: March 1, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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PEANUT BUTTER & CUPCAKE

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...

The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.

Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)

Pub Date: July 29, 2014

ISBN: 978-0-399-16773-7

Page Count: 32

Publisher: Philomel

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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