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SLEEPY BOY

Name: SLEEPY BOY
Author: Polly Kanevsky
ISBN: 0-689-86735-2

by Polly Kanevsky & illustrated by Stephanie Anderson ‧ RELEASE DATE: May 1, 2006

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There is art and craft, both verbal and visual, in this very quiet bedtime story. “Here is a boy who will not sleep,” the text begins, a boy who has spent the day at the zoo watching a lioness and her cub. At home, his father is doing all he can to get the boy to sleep: lying down next to him; making soothing sounds and gestures; suggesting the old trick of closing one eye, then the other. The boy, however, is full of the sights of the day, when he snuggles up to his dad’s chest. The interplay between boy and dad is lovely and true, as their competing but tandem thoughts tangle and slow. Anderson has taken Kanevsky’s marvelous words and made a gorgeous visual metaphor for them. In the gold-to-dusk, beautifully modeled watercolor-and-charcoal forms of father and son, bedroom and window, she places on each page the lion cub and its mother in the same household setting. Readers see what the boy sees in his mind’s eye. The illustrations, often tight close-ups at extreme angles, nevertheless capture geometry softened by twilight and a shadowed, shared tenderness between both parent/child dyads. Unusual and captivating. (Picture book. 3-7)

Pub Date: May 1, 2006

ISBN: 0-689-86735-2

Page Count: 32

Publisher: Richard Jackson/Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2006

Categories:

CHILDREN'S FAMILY

- BOOK REVIEW
HERE IS THE BABY
by Polly Kanevsky ; illustrated by Taeeun Yoo

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CARPENTER'S HELPER

by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

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A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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BECAUSE YOUR DADDY LOVES YOU

by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005

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Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)