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DOING JUSTICE

A PROSECUTOR'S THOUGHTS ON CRIME, PUNISHMENT, AND THE RULE OF LAW

An engaging tour from beginning to end.

The former federal prosecutor for the Southern District of New York skillfully explains how he approached his job, offering a mixture of guiding principles and compelling anecdotes.

Although appointed by Barack Obama in 2009 and fired in 2017 by Donald Trump, Bharara refrains from either praising Obama or settling scores with Trump. The author organizes his book according to the way a criminal case normally unfolds: “Inquiry,” about investigating an alleged crime; “Accusation,” about whether to actually charge a defendant with breaking a law; “Judgment,” about the court proceedings; and “Punishment,” about the steps taken when a defendant is found guilty. Unlike many lawyers who write books, Bharara refreshingly avoids jargon, striking a conversational tone and regularly employing analogies and metaphors that make his points easily understandable. For example, while explaining that stockbrokers complete countless legal transactions while also cheating the system, Bharara writes that just because a motorist usually observes the posted speed limit, that behavior does not constitute evidence that the driver never exceeds the speed limit. Among the most compelling anecdotes, Bharara explains the successful 2010 prosecution of Faisal Shahzad, the Times Square Bomber, and offers clear reasons, however controversial, why his office never prosecuted high-ranking Wall Street and banking executives for the consequences of the 2008 financial meltdown that harmed millions of Americans. Throughout the book, the author admits to uncertainties about whether or not to prosecute apparent wrongdoing in a variety of cases, and he candidly expresses regrets about some of his decisions. As he astutely notes, sometimes there are no “correct” answers—e.g., in the social media era, how should a prosecutor deal with a Facebook post that a young man plans to enter a school with a rifle, before violence occurs? Rarely does Bharara offer glimpses into his private life, but he does share a few instances of the calumny he has faced due to his Indian heritage.

An engaging tour from beginning to end.

Pub Date: March 19, 2019

ISBN: 978-0-525-52112-9

Page Count: 368

Publisher: Knopf

Review Posted Online: Jan. 5, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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