by Priscilla Galloway ‧ RELEASE DATE: Sept. 1, 1995
Eight familiar folk and fairy tales retold with twists more ironic than grim. ``The Prince'' chases after glass-slippered Cinderella because he has a foot fetish; the foul-mouthed Queen's need to be Fairest One Of All is driven by a desire to distance herself from her wife-beating father (``A Taste For Beauty''); ``The Woodcutter's Wife'' denies any intent to eat Hansel and Gretelshe just wants to keep them around as sources of blood for potions and lab experiments. Other apparent villains turn out to be nothing of the sort: the misshapen little man in ``The Name'' is the queen's real father, and the giant that Jack eludes is dying of a wasting disease that can only be halted by human bone meal (``Blood and Bone''). In a distinctive, formal narration, Galloway disguises each story of her first collection, and expects readers to know the traditional versions well enough to fill in details of plot and character. She writes in a tone that darkens even tales with happy endings, but most of the violence is psychological rather than physical. Readers who appreciate Donna Jo Napoli's disturbing Magic Circle (1993) will find this equally thought- provoking, but William Brooke's lighthearted reinterpretations in A Telling Of The Tales (1990) and its sequels have more child appeal. (Short stories/folklore. 12-up)
Pub Date: Sept. 1, 1995
ISBN: 0-385-32200-3
Page Count: 132
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
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by Priscilla Galloway with Dawn Hunter
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by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Tomi Oyemakinde ‧ RELEASE DATE: Sept. 26, 2023
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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