More dross than expected but plenty of genuine gems of insight as well.
The drummer and co-founder of the Roots unpacks the creative process.
Questlove’s Mo’ Meta Blues (2013) was an uncommonly incisive, reflective, and engaging musical memoir. If that was the author’s masterpiece, this is more like the previously unreleased bonus cuts; it lacks the focus and cohesion of the earlier work, mixing the enlightening with the banal. “Early in this book,” he writes in conclusion, “I also said that I don’t know exactly what the goal of a book about creativity should be. My method has been to share stories from my life working on and around many different projects filled with many different ideas, and the goal of that method is to pass on some of that momentum to you.” The author goes behind the scenes of the Tonight Show, where the Roots are the house band, describes the elation that he feels from receiving a good review and the deflation from a bad one (he seems more attuned to reviews than many other artists), and relates the experiences and influences that have impacted his musical development. Unlike Mo’ Meta Blues, this book is presented and organized like a self-help book, one that doesn’t offer readers much help. “We’re going to need a definition of a creative person to go forward,” he writes. “Here’s a first stab at it: a creative person is a person who creates.” The author moves beyond tautology in the most interesting part of the book, in which he explores how the internet has transformed our culture and the very notion of creativity, making us all curators, even of our own identities. “Our brains are changing,” he writes. “They used to be containers. Now they’re retrievers. It’s a fundamental shift.” Questlove is also interested in artists working across platforms and on chefs and food in general (see his previous book, somethingtofoodabout, for more information).
More dross than expected but plenty of genuine gems of insight as well.Pub Date: April 24, 2018
ISBN: 978-0-06-267055-7
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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