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THE GOOD LIE

Great bedtime reading for insomniacs and people willing to act like insomniacs just this once.

A vertiginous tale of serial kidnapping and murder that begins with a miracle and then heads sharply downhill.

There’s a reason Gwen Moore is known as the Doc of Death. The patients in her psychiatric practice have angry, volatile, or violent histories; they’re people who are afraid they’re going to hurt somebody. On the morning she fails to respond to messages from pharmacist John Abbott, who’s expressed mounting hostility toward his wife, Brooke, the couple are both found dead in their home, she stricken by a heart attack, he stabbed in the stomach. So Gwen, overwhelmed with guilt, is in no mood to celebrate the miraculous escape of Beverly High School senior Scott Harden, the seventh victim the Bloody Heart Killer has kidnapped and imprisoned and the only one to survive with his genitalia and his life. Even better, Scott quickly identifies his captor as BHS science teacher Randall Thompson. But as attorney Robert Kavin, whose son, Gabe, was the Bloody Heart Killer’s sixth victim, tells Gwen shortly after he picks her up at a bar and follows her home to bed, he’s so far from convinced that Thompson is the man who killed his son that he offers to defend him pro bono and asks Gwen to join his team as a consultant who can assemble a psychological profile that will prove that Thompson isn’t the murderer—unless of course it proves that he is. If the tale isn’t as tightly wound as Every Last Secret (2020), it’s a good deal more ambitious and twisty, and even readers who see some of its surprises coming will be alarmed and shocked by others.

Great bedtime reading for insomniacs and people willing to act like insomniacs just this once.

Pub Date: July 20, 2021

ISBN: 978-1-5420-2016-9

Page Count: 269

Publisher: Thomas & Mercer

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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THE INTRUDER

A grim yet gleefully gratifying tale of lost innocence and found family.

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A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.

High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.

A grim yet gleefully gratifying tale of lost innocence and found family.

Pub Date: Oct. 7, 2025

ISBN: 9781464260919

Page Count: 288

Publisher: Poisoned Pen

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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