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MAMA'S ROTI

A touching ode to a South Asian culinary staple.

Roti has great significance in Indian life, history, politics, and culture.

Though roti is made with flour, salt, oil, and water, it’s so much more than that, as Mirchandani explains. Similar in structure to Kevin Noble Maillard’s Fry Bread (2019), illustrated by Juana Martinez-Neal, the book relies on statements beginning with the phrase “Roti is.” Roti is the memories of mothers and grandmothers passing their recipes across continents and over generations. It’s the farmers who grow and harvest the grains—and who lie awake at night, worried about their crops. It’s the parents who fret about their children going hungry. It’s the agriculturalists protesting unfair laws and those who march beside them in solidarity. Roti is also a way for immigrants to bring their cultures with them when they leave home. “Roti is life,” as the author concludes. Gupta’s warm illustrations, dominated by earthy yellows and deep blues, alternately follow a family of farmers in India and a family of immigrants carving out new lives in America—both linked by their love of this South Asian flatbread. This tender, lyrical picture book is a clever, poignant look at the myriad ways food nourishes us. It also explores issues of systemic inequality, though readers may be confused about the demonstrations referenced in the narrative. The author’s note states that in 2020, Indian farmers, primarily from Punjab and Haryana, protested “unfair” laws—a vague explanation that will require additional context. Overall, though, this is a visual delight and a pleasure to read.

A touching ode to a South Asian culinary staple. (Picture book. 3-7)

Pub Date: Oct. 29, 2024

ISBN: 9780316339469

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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