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MY DIWALI LIGHT

A warm, heartfelt ode to Diwali and the joys of family.

An Indian American girl and her family prepare to celebrate a beloved holiday.

For Devi, Diwali is one of the best times of the year. She loves the colors, decorations, and food; Diwali is her “time to shine.” But as her family notes, before she can celebrate, she has to clean her room in preparation for the arrival of the goddess Lakshmi. After Devi is done, she watches her Nani (grandmother) and her father make puris and besan ladoos for the whole family to enjoy during the holiday. She’s particularly excited that she gets to try on all of the new clothes Nani brought for her from India for the days of celebration. Everyone celebrates Diwali in different ways, Devi notes, and she explains that she and her family “wrap up our ladoos in fancy boxes and deliver them to people we love” before throwing a party in their apartment. Neighbors stop by, curious about the festivities, and the family invites them to join in. Mirchandani’s simple, elegant text explains the holiday, vividly bringing to life a family that loves coming together to share traditions, while Kelkar’s bold use of color (particularly shades of purple, blue, and green) makes the illustrations pop. Characters—diverse in skin tone—are cartoonish, placed against backdrops that use attractive textures and patterns. (This book was reviewed digitally.)

A warm, heartfelt ode to Diwali and the joys of family. (author's and illustrator's notes) (Picture book. 4-8)

Pub Date: Sept. 20, 2022

ISBN: 978-0-316-33933-9

Page Count: 40

Publisher: Little, Brown

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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