by Rachel Bright ; illustrated by Rachel Bright ‧ RELEASE DATE: Nov. 17, 2020
Will strike a chord in many a family.
Bella Bear wants to stir soup and cut bread, but Mama Bear must prevent her from doing these and other dangerous adult tasks.
Mama Bear tries to distract her precocious tot with a trip to the supermarket. Soon Bella’s racing on her tricycle and proclaiming herself ready for a two-wheeler. At the market, Bella fills her own cart with groceries, Mama worriedly eyeing the growing pile. Then Bella does something even more problematic. After seeing chocolate cookies on the top shelf (and knowing Mama’s penchant for chocolate), the cub decides to climb up for a box. Bella manages to reach the cookies—but suddenly Bella is scared and needs her mother’s help, because she is quite small, after all. It’s a good thing Mama is so tall. When they get home safely, the mother and daughter discuss the reality that while it’s good to be big, being small has its advantages, and Bella finally gets the message. The two brown bears of different shades and sizes have a textured look and bold outlines that make them stand out against mostly solid-colored backgrounds. They wear aprons in the house, and their cartoony features are appealing. Their familial love is heartfelt, and the rhyming story conveys a message that young children will easily relate to in a pre-K classroom, library storytime, or a family setting. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 30.3% of actual size.)
Will strike a chord in many a family. (Picture book. 3-5)Pub Date: Nov. 17, 2020
ISBN: 978-0-374-30580-2
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Greg Pizzoli ; illustrated by Greg Pizzoli ‧ RELEASE DATE: April 19, 2016
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by Stephanie Stansbie ; illustrated by Richard Smythe ‧ RELEASE DATE: Dec. 3, 2019
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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