An oh-so-New-York 12-year-old struggles to sort out her relationship within what might be called the ultimate blended family (the front cover has a helpful diagram of all the relationships). Annabel has the sort of relationship with her parents where she calls them by their first names. Even after they split, all was pretty much okay until Jack moved to Australia to marry Penny, become Angus and Lucy’s stepdad—an eventuality that has Annabel seeing red—and father Beatrice. Annabel doesn’t really want to go to Australia over the Christmas break, but she does, hoping somehow to steal her father back. What she discovers, however, is that he’s happier than he ever was and is utterly disinclined to move home, however much he misses her. When Lucy and Annabel, at first enemies but later, convincingly, good friends, sneak off on a trans-Australia train trip, they set into motion a family crisis that brings all members of Annabel’s family to Sydney (including her new stepfather- and stepbrother-to-be; it’s been a busy vacation for her mother, too) in a sort of giant group hug that, however unlikely in the real world, is nevertheless a nicely satisfying way to end the story. It is a relatively predictable tale of raw feelings, jealousy, new friendships, and reconciliation, but it is enlivened both by Annabel’s sassy voice and by the acuity of her observations: “I had . . . never met them, and I knew that in those two years they would have developed a secret family language only they could understand.” If there’s rather a lot of parent-to-child explaining about love and relationships, readers can still only hope that their own families can sort themselves out as well as Annabel’s. (Fiction. 11-14)
Pub Date: March 1, 2003
ISBN: 0-689-84549-9
Page Count: 144
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
An engaging novel-in-poems that imagines one earnest, impassioned teenage girl’s experience of the Japanese-American...
Crystal-clear prose poems paint a heart-rending picture of 13-year-old Mina Masako Tagawa’s journey from Seattle to a Japanese-American internment camp during World War II.
This vividly wrought story of displacement, told from Mina’s first-person perspective, begins as it did for so many Japanese-Americans: with the bombs dropping on Pearl Harbor. The backlash of her Seattle community is instantaneous (“Jap, Jap, Jap, the word bounces / around the walls of the hall”), and Mina chronicles its effects on her family with a heavy heart. “I am an American, I scream / in my head, but my mouth is stuffed / with rocks; my body is a stone, like the statue / of a little Buddha Grandpa prays to.” When Roosevelt decrees that West Coast Japanese-Americans are to be imprisoned in inland camps, the Tagawas board up their house, leaving the cat, Grandpa’s roses and Mina’s best friend behind. Following the Tagawas from Washington’s Puyallup Assembly Center to Idaho’s Minidoka Relocation Center (near the titular town of Eden), the narrative continues in poems and letters. In them, injustices such as endless camp lines sit alongside even larger ones, such as the government’s asking interned young men, including Mina’s brother, to fight for America.
An engaging novel-in-poems that imagines one earnest, impassioned teenage girl’s experience of the Japanese-American internment. (historical note) (Verse/historical fiction. 11-14)Pub Date: March 1, 2014
ISBN: 978-0-8075-1739-0
Page Count: 128
Publisher: Whitman
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
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