Next book

PARADE

Short and intense, crammed with desperately human characters and much food for thought.

The stories of a half-dozen different artists, each identified solely by the initial G, investigate the nature of art, artists, reality, and family relationships.

Readers of Cusk’s previous fiction will recognize the masterful way she locates specific personal histories within a relatively abstract narrative framework (minimal details of place, time, and chronology) to unsettle the reader’s expectations about what fiction can or should do. An omniscient third-person narrator takes us inside the thoughts and emotions of some Gs: an insecure male artist famed for painting upside-down and his unhappy wife; a male filmmaker fleeing repressive parents; a female painter spurred toward art by a miserable childhood, mired in a dysfunctional marriage with a man who inspires the same feelings of shame her parents did, then liberated by his death. At other times, a first-person narrator profiles Gs whose lives and work she has read about or seen: a female sculptor of cloth forms; a 19th-century female painter dead in childbirth at 31; a Black male painter marginalized by his peers. This narrator, sometimes “I” and sometimes “we,” also chronicles episodes from her personal life, including a grimly unforgiving account of her dead mother’s toxic parenting and a lengthy restaurant conversation among five people associated with an exhibit of one of the Gs’ works, closed for the day after a man dies by suicide at the museum. That conversation makes explicit questions that animate all the stories: What drives people to make art? Do artists perceive reality, or invent it? Can women artists with children create as freely as their male peers? Why is family life so fraught? Simmering underneath all the stories and talk is the desolate sense of how alone people can be even, perhaps particularly, in the most intimate relationships—existential issues by no means limited to those who make art. Cusk’s prose is diamond-sharp, as are her insights.

Short and intense, crammed with desperately human characters and much food for thought.

Pub Date: June 18, 2024

ISBN: 9780374610043

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 222


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 222


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Next book

INTO THE UNCUT GRASS

A sweet bedtime story.

A boy and his stuffed bear head into the woods.

Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.

A sweet bedtime story.

Pub Date: Oct. 8, 2024

ISBN: 9780593729960

Page Count: 128

Publisher: One World/Random House

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Close Quickview