by Rachel Elliot ; illustrated by Petra Brown ‧ RELEASE DATE: Feb. 4, 2016
A classic, traditional tale of heroine, villain, and hero—perhaps too traditional.
In this British picture-book melodrama, a dancing mouse named Marguerite is bullied by the rat Randolph and eventually rescued by the shy but heroic mouse Benjamin.
A calligraphic letter B starts off the descriptive text: “Benjamin lived at the bottom of the tallest steeple in the cathedral yard….Marguerite lived next to the little fountain….Every day Benjamin watched Marguerite dancing around the fountain. He longed to be friends with her but Benjamin was shy and didn’t dare. So Marguerite danced alone.” When Randolph, whose eyes are “as black as oil,” dances with Marguerite, it is only because he is scheming to have the fountain to himself. When Randolph banishes Marguerite to a tiny space in the old sewer, Benjamin—with some assistance from Marguerite—finds and realizes his own courage and ingenuity. The artwork is priceless: watercolors that accurately reflect all the rodents’ emotions and show well-conceived backgrounds. Unfortunately, they draw on tired tropes of color: villainous bully Randolph is black; dainty, beautiful Marguerite is white; timid Benjamin is light brown. This combines with the antiquated maiden-in-need-of-rescue storyline to reinforce attitudes and associations that need to be put in the past. At times, the busy layouts make following the text sequence difficult, which distracts from the high drama that provides a primer on bullying.
A classic, traditional tale of heroine, villain, and hero—perhaps too traditional. (Picture book. 4-7)Pub Date: Feb. 4, 2016
ISBN: 978-1-857337-97-6
Page Count: 24
Publisher: Hutton Grove
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Heather Fox
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by Jonathan Stutzman ; illustrated by Elizabeth Lilly
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