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MARGUERITE'S FOUNTAIN

A classic, traditional tale of heroine, villain, and hero—perhaps too traditional.

In this British picture-book melodrama, a dancing mouse named Marguerite is bullied by the rat Randolph and eventually rescued by the shy but heroic mouse Benjamin.

A calligraphic letter B starts off the descriptive text: “Benjamin lived at the bottom of the tallest steeple in the cathedral yard….Marguerite lived next to the little fountain….Every day Benjamin watched Marguerite dancing around the fountain. He longed to be friends with her but Benjamin was shy and didn’t dare. So Marguerite danced alone.” When Randolph, whose eyes are “as black as oil,” dances with Marguerite, it is only because he is scheming to have the fountain to himself. When Randolph banishes Marguerite to a tiny space in the old sewer, Benjamin—with some assistance from Marguerite—finds and realizes his own courage and ingenuity. The artwork is priceless: watercolors that accurately reflect all the rodents’ emotions and show well-conceived backgrounds. Unfortunately, they draw on tired tropes of color: villainous bully Randolph is black; dainty, beautiful Marguerite is white; timid Benjamin is light brown. This combines with the antiquated maiden-in-need-of-rescue storyline to reinforce attitudes and associations that need to be put in the past. At times, the busy layouts make following the text sequence difficult, which distracts from the high drama that provides a primer on bullying.

A classic, traditional tale of heroine, villain, and hero—perhaps too traditional. (Picture book. 4-7)

Pub Date: Feb. 4, 2016

ISBN: 978-1-857337-97-6

Page Count: 24

Publisher: Hutton Grove

Review Posted Online: Nov. 10, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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