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THE GREAT RECLAMATION

Like a drop of rain that holds the reflection of the world, crystalline and beautiful.

A fearful, tender, unexpectedly gifted boy in a Singapore fishing village finds that his fate is inextricably wound with that of his community.

"Decades later, the kampong would trace it all back to this very hour, waves draining the light from this slim, hungry moon." So begins Heng's second novel, a story scaffolded against a sweeping backdrop—the politics of colonialism, World War II in Southeast Asia, ecology, the inexorable forces of development and modernization—with very little of that ever mentioned, instead focusing on the experiences of the characters in language of perfect simplicity. It begins in 1941, when the territory of Singapore is “still governed by the Ang Mohs as it had been for the past century.” A small boy named Ah Boon goes out fishing with his Pa and somehow intuits the location of a mysterious island where the fish run denser than their nets can carry. This is the watershed hour referred to in the opening sentence, and its immediate effects are wholly positive. "While previously they’d subsisted on thin gruel with sweet potato, stringy bean sprouts, and the occasional scrawny chicken, now they feasted, day and night, on fish. They steamed them with ginger and freshly cut chilies; they chopped them up and sautéed the pieces with fragrant sambal, they fried them till the fins grew crispy, a delicious treat for the children." Meanwhile, Ah Boon has become close with his brilliant schoolmate Siok Mei, who was virtually orphaned when her parents left the country for political reasons but now shares with Ah Boon many idyllic days of childhood. The good times screech to a halt when war arrives and the Japanese occupation begins. After upheavals and tragedies, the story moves into the postwar period, when the Gah Men (as the people who run the country are known) begin a massive earth-moving project to reshape the coastline. Here Ah Boon's unique relationship to the landscape will again play a critical role even as he dons the white shirt and white pants and round, wire-rimmed glasses of a Gah Man. Heng's development of this character is absolutely brilliant and deserves wide notice.

Like a drop of rain that holds the reflection of the world, crystalline and beautiful.

Pub Date: March 28, 2023

ISBN: 9780593420119

Page Count: 464

Publisher: Riverhead

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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