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LISTEN TO THE CITY

Name: LISTEN TO THE CITY
Author: Rachel Isadora
ISBN: 0-399-23047-5

by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: April 1, 2000

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Using the Pop Art style she displayed to such terrific effect in ABC Pop! (1999) Isadora makes another vibrant series of images with just enough words to get those toddlers jumping. “Rise and shine” says the page with a brrriinnging alarm clock, followed by a page of sizzling bacon and eggs, popping toast, and a hissing kettle. That establishes the retro feel and the onomatopoetic bounce of the rest of the book, from the “whoop whoop” of a helicopter to the clomp and tap of dozens of pairs of shoes on the sidewalk to traffic and construction noises. The colors are primary and secondary hues in great geometric swathes and shapes, with the characteristic bold outlines, and dots and dashes, of Pop art and comics. Some words are in neat word balloons; others, in psychedelic neon, balloon across the page or dance over an image. The city is clearly inspired by New York, even though the library lion recumbent seems to be sitting in a park, and the garbage trucks aren’t usually yellow. City kids will revel, and all kids will delight in the colors, shapes, and sounds of this pulsating tour de force. (Picture book. 3-8)

Pub Date: April 1, 2000

ISBN: 0-399-23047-5

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

Categories:

CHILDREN'S CONCEPTS

- BOOK REVIEW
DO I HAVE TO WEAR A COAT?
by Rachel Isadora ; illustrated by Rachel Isadora

- BOOK REVIEW
MY DOG LAUGHS
by Rachel Isadora ; illustrated by Rachel Isadora

- BOOK REVIEW
I JUST WANT TO SAY GOOD NIGHT
by Rachel Isadora ; illustrated by Rachel Isadora

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
A PERFECT PLACE TO PLAY
by Tish Rabe ; illustrated by Jim Valeri

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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HAPPY MOTHER'S DAY FROM THE CRAYONS

by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 4, 2025

Another endearing and amusing outing with these winsome characters.

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The Crayons love a holiday, and Mother’s Day is no exception.

Every color is different, and so is every mom. Purple’s mother, seated cross-legged in a yoga pose, “doesn’t color inside the lines.” Red’s works tirelessly to support her family, which sometimes means missing holidays. White Crayon adores his mother, “even though he can’t see her” (the accompanying image shows both crayons fading into the white background), while pale lime green Esteban’s mom supports his “dreams of adventure” by helping him pack. All the Crayons celebrate their families on this day, and not all the parents look like their children or are mothers. Laudably, Daywalt and Jeffers depict a variety of different families, allowing many readers to feel seen: Black can’t contain her love for both her mothers, the hair-covered brownish-beige Barfy Crayon embraces his stepmom, Chunky Toddler (a chubby crayon with a bite taken out of him) pays tribute to his dad on Mother’s Day, Yellow and Orange honor their grandmother, and Maroon, presumably adopted, sings the praises of his mom, a pot of glue who literally holds the family together. As in previous Crayon books, Jeffers’ elegantly quirky and humorous illustrations complement Daywalt’s delightful text, which adeptly balances humor and heart.

Another endearing and amusing outing with these winsome characters. (Picture book. 4-8)