Like a steezy gem.
Following a brutal tumble, a rad little skater rediscovers the courage to pick up the board again with the help of her friends.
Cielo loves to skate all over town, devoting her time to zipping around with “a steezy push and a good pop.” Conquering sidewalks via ollies and breezing down streets in fast downhill rides, the fearless brown-skinned girl zips across town, her own playground. When a new skate park with deep pools opens, Cielo finds a new obstacle to overcome: The Whale, aka the biggest, highest pool at the park. The fateful day arrives, and Cielo hangs over the rim, ready to skate down The Whale. Bam! Instead, she stumbles, falling flat. Shaken and frustrated, Cielo gives up the board altogether. Until one day, a couple of fellow skaters call to her from the skate park. Encouraged by her newfound friends, Mia and Miro (both of whom have lighter skin), Cielo reattempts The Whale. Will Cielo fly again? An overall charmer, Katstaller’s ode to the etherealness and camaraderie of skateboarding pops and snaps from page to page. Colorful, sparse art with bold colors and unusual angles commits to an exceptional depiction of Cielo’s flights and tumbles. Above all, the emphasis on community offers a rousing image of skateboarding, accentuated by an author’s note and a glossary that clarifies terms and lingo for newcomers. (This book was reviewed digitally.)
Like a steezy gem. (Picture book. 4-8)Pub Date: Aug. 2, 2022
ISBN: 978-1-338-75111-6
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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