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GOODBYE, VITAMIN

Khong’s pithy observations and cynical humor round out a moving story that sparks empathy where you’d least expect it.

Former Lucky Peach executive editor Khong (All About Eggs: Everything We Know About the World’s Most Important Food, 2017) whisks up a heartfelt family dramedy in a debut novel that ruminates on love, loss, and memory.

Last June, Ruth Young was engaged and packing to move to a spacious apartment in Bernal Heights, San Francisco, when her fiance, Joel, broke the news that he wasn’t moving with her. Now 30, single, and still raw from the jarring breakup (and the gutting knowledge that Joel has a new, undoubtedly cooler, girlfriend), Ruth returns to her family’s home for the holidays. But instead of escaping her past, Ruth must face another obstacle upon arriving in Los Angeles—her father, esteemed history professor Howard Young, has Alzheimer’s disease, and it’s rapidly worsening. To alleviate her mother’s stress, Ruth quits her job in San Francisco—reluctantly joining “the unmarried and careerless boat”—and moves back in with her parents to care for her irascible father, who, notwithstanding his failing memory and bizarre behaviors (such as carrying a urinal cake in his pocket), insists he’s fine. Written in chronological vignettes spanning a year, Ruth’s vivid narration reads much like an intimate diary. In an effort to stave off her boredom at home, Ruth sleuths around her father’s unkempt office, digs for evidence of an extramarital affair, and even schemes with Howard’s former students to keep him under the illusion that he’s still actively teaching. As Howard’s memories fade, Ruth’s rise to the surface. Recollections of her father’s drinking problem and recent infidelity send her spiraling among resentment, disgust, and (unwittingly) compassion toward her parents. Ultimately, it’s Howard’s flaws that move Ruth to examine her own. Ruth and Howard are a hilarious father-daughter duo, at turns destructive and endearing, and entries from a notebook that Howard kept during Ruth’s childhood serve as an enriching back story to their deep bond.

Khong’s pithy observations and cynical humor round out a moving story that sparks empathy where you’d least expect it.

Pub Date: July 11, 2017

ISBN: 978-1-250-10916-3

Page Count: 208

Publisher: Henry Holt

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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