Snyder’s writing is crisp and clean and the premise is unique, but readers may find the characters less than compelling.
Snyder’s debut novel takes place in the two dramatic days following a series of burglaries in an upscale Chicago neighborhood.
Residents of Ilios Lane in Chicago’s Oak Park neighborhood wanted to believe they were helping change attitudes toward diversity, but when someone breaks into the homes in this more affluent area bordered by mostly minority-occupied homes and apartments, subtle changes begin to take effect. The ones who see the most change are the members of the McPherson family: daughter Mary Elizabeth, who is skipping school when the break-in happens, tripping out on ecstasy with her Cambodian friend, Sofia; her mom, Susan, a true believer in diversity who has worked her entire adult life to integrate local neighborhoods; and her father, Michael, who sees a chance to step up to the plate and be the liaison between the violated families and the police. The others involved in the break-ins have various reactions to the crimes. Mary Elizabeth finds her proximity to the burglars has made her the target of Caz’s attention. Caz, a boy at school who has ignored her in the past, seems smitten by her. Sofia finds herself in hot water with her parents. Susan is determined not to let the incident scare off prospective tenants. Alicia and Dan must return from a vacation in Florida to visit her indulgent parents. A semiblind neighbor finds himself beseeched to move in with his sister, and a French chef discovers his authenticity questioned. Snyder’s book encompasses a time period beginning with the discovery of the crimes to a final, life-changing showdown that takes place at the end of the emotionally and physically exhausting experience.
Snyder’s writing is crisp and clean and the premise is unique, but readers may find the characters less than compelling.Pub Date: Jan. 21, 2014
ISBN: 978-1-4767-2517-8
Page Count: 320
Publisher: Scribner
Review Posted Online: Nov. 3, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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