A must-read modern romance that emphasizes silliness and sexiness in equal parts. Solomon’s best yet.
A ghostwriter and a C-list actor supplement their working relationship with lessons in seduction.
Chandler Cohen is a ghostwriter, and her insecurities about her work only grow larger when an author whose memoir she wrote fails to recognize her at their launch event. In need of commiseration, she strikes up a conversation with a fellow event attendee. Following an immediate attraction, they cap off the night with a surprisingly mediocre one-night stand. Her next assignment is yet another celebrity memoir, this one written with Finn Walsh, known mostly for playing the nerdy character in a werewolf drama with a cult following. It turns out that he was also her lackluster hookup. At first, they agree to keep things professional, but when Finn learns that Chandler was left unsatisfied by his bedroom prowess, he seeks to spice up their arrangement: Perhaps Chandler could improve not only his memoir, but his seduction skills as well. He thinks getting Chandler to go along with this plan is a long shot, but she readily agrees. It’s always a pleasure to see the woman in a heterosexual couple being more experienced in intimate matters and having no problem communicating her desires. Chandler knows she deserves better at work and in her romantic life, and it’s a joy to root for her as she makes changes for her own happiness and independence. Finn is pretty close to the definition of a cinnamon-roll hero; he’s genuine, communicative, and has an earnest desire to make sure Chandler feels seen and heard in all aspects of their nebulous relationship. Solomon consistently balances spicy and sweet, making her romance novels a sure bet for a good read.
A must-read modern romance that emphasizes silliness and sexiness in equal parts. Solomon’s best yet.Pub Date: July 4, 2023
ISBN: 9780593548530
Page Count: 384
Publisher: Berkley
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
PERSPECTIVES
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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