Delightfully romantic and emotionally uplifting.
To save their jobs, rival public radio co-workers pretend to be exes for a new show and end up getting much more than they bargained for.
Shay Goldstein hates her new co-worker, Dominic Yun. The 29-year-old senior producer has been with Pacific Public Radio for 10 years but has never realized the dream of hosting her own show. Dominic, 24 years old and armed with a master’s degree in journalism from Northwestern, which he obnoxiously mentions every chance he gets, is already breaking big news on the air. Their competition boils over during a stationwide brainstorming session when Shay suggests starting a new dating show hosted by exes, and Dominic writes it off as tawdry commercial radio. But their shouting match has unexpected consequences when the station's program director tells them their verbal sparring and obvious tension would make them the perfect hosts for Shay’s show—and that it just might save them from upcoming layoffs. Of course, there’s one huge problem: They’ve never actually dated. As the show skyrockets in popularity, the fake exes become real friends, but a growing attraction might spell disaster. Shay and Dominic are brought to life with multilayered backstories. Shay shared her passion for radio with her late father, and she often wonders what he would think about her career choices; Dominic is determined to make a positive impact with his journalism degree but is unsure how to do so in the world of click-bait content. Witty dialogue meets steamy slow-burn tension while fun romance tropes (fake dating! there’s only one bed!) take a refreshing turn by making Dominic the less sexually experienced, and more emotionally open, of the two. A vibrant supporting cast of family, friends, and co-workers helps round out the plot.
Delightfully romantic and emotionally uplifting.Pub Date: Jan. 26, 2021
ISBN: 978-0-593200-12-4
Page Count: 352
Publisher: Berkley
Review Posted Online: Oct. 16, 2020
Kirkus Reviews Issue: Nov. 1, 2020
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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