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THE BIG DAY

A GIANT CELEBRATION OF LOVE

A sweet look at love and commitment.

Come one, come all, to the biggest ceremony of the year!

A child receives an invitation to the wedding of two male giants. Surrounded by witches, wizards, goblins, and other fantastical creatures, the protagonist takes a seat in the church and witnesses the grooms’ declaration of love. After dining on confections such as “creamy rainbow root soup” and “pickled dragon’s breath with pink lotus fries” and listening to a litany of speeches at the reception, the child pipes up: “Why was I invited? Was it a mistake?” One of the grooms charges the child with sending back “a message for all: / Love is just love, whether GIANT or small.” Plummer’s first-person text features an AABB rhyme structure that, at times, feels forced (“The other held sky that bright stars wandered through. / He said this was something old, borrowed, and blue”). With their dark blue and purple palette, the illustrations capture the energy of the blessed event and the joy on the faces of the attendees. Unfortunately, the text is set against similarly colored backdrops, occasionally making it difficult to read. Still, the mood is festive, and though the takeaway is simple, it’s affirming. The young protagonist is brown-skinned, one of the giants is pale-skinned and pointy-eared with a bushy red beard, and the other giant is tan-skinned and dark-haired. The wedding guests are diverse in skin tone.

A sweet look at love and commitment. (Picture book. 4-7)

Pub Date: April 8, 2025

ISBN: 9781664300668

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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