by Rachel Qitsualik-Tinsley & Sean Qitsualik-Tinsley ; illustrated by Sean Bigham ‧ RELEASE DATE: May 1, 2015
A valuable introduction to a vanished North American people, told with nuance, engagement, and rue.
Before the Inuit came to the Arctic, there were the Tuniit.
The Qitsualik-Tinsleys offer readers an introduction to this prehistoric people, twining scientific findings with Inuit legend and even Inuktitut grammar to provide a window on the early Arctic. Without going into anthropological specifics, the husband-and-wife team, who include Inuit, Cree, and Mohawk in their combined heritage, introduce the notion that the Tuniit may not have been human before going on to say that they lived in settlements, originated the intricate stone cairns known as inuksuit, and were short, strong, and shy. They introduce snippets of traditional lore that claim supernatural powers for the Tuniit and that build a strong case for the eventual assimilation of the Tuniit by the encroaching Inuit. Anthropological discoveries validate the existence of the Tuniit and their disappearance as a distinct culture and genotype. Bigham contributes moody oil paintings and ink drawings; shifts in typeface seem to indicate corresponding shifts in mode that highlight the persistence of the Tuniit in Inuit legend, though this is not consistent. The authors clearly wrestle with the understanding that Inuit ancestors displaced an earlier indigenous people, introducing real poignancy to their exhortation that their readers respect the Tuniit by remembering them: "We remember a fate that no culture should have to endure."
A valuable introduction to a vanished North American people, told with nuance, engagement, and rue. (Nonfiction. 8-12)Pub Date: May 1, 2015
ISBN: 978-1-927095-76-8
Page Count: 60
Publisher: Inhabit Media
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Chris Newell ; illustrated by Winona Nelson ‧ RELEASE DATE: Nov. 2, 2021
Essential.
A measured corrective to pervasive myths about what is often referred to as the “first Thanksgiving.”
Contextualizing them within a Native perspective, Newell (Passamaquoddy) touches on the all-too-familiar elements of the U.S. holiday of Thanksgiving and its origins and the history of English colonization in the territory now known as New England. In addition to the voyage and landfall of the Mayflower, readers learn about the Doctrine of Discovery that arrogated the lands of non-Christian peoples to European settlers; earlier encounters between the Indigenous peoples of the region and Europeans; and the Great Dying of 1616-1619, which emptied the village of Patuxet by 1620. Short, two- to six-page chapters alternate between the story of the English settlers and exploring the complex political makeup of the region and the culture, agriculture, and technology of the Wampanoag—all before covering the evolution of the holiday. Refreshingly, the lens Newell offers is a Native one, describing how the Wampanoag and other Native peoples received the English rather than the other way around. Key words ranging from estuary to discover are printed in boldface in the narrative and defined in a closing glossary. Nelson (a member of the Leech Lake Band of Minnesota Chippewa) contributes soft line-and-color illustrations of the proceedings. (This book was reviewed digitally.)
Essential. (Nonfiction. 8-12)Pub Date: Nov. 2, 2021
ISBN: 978-1-338-72637-4
Page Count: 96
Publisher: Scholastic Nonfiction
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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