Written with humor and creativity, Gilmore’s story dramatizes the tenderness of a parent/child relationship. “Later! It’s always later,” huffs Emily when her dad puts off making a snowman with her. She stomps outside and slams the door, hiding her hurt feelings in anger. She decides to make something big and hungry and maybe even a little mean. Her first dinosaur, dubbed Grizzle, is a Dilophosaurus, who is rather pleasant and sports spring-green scales. But when Grizzle eats a huge stack of snow pizzas, she grows larger and her teeth get snappish. And she wants more! As Emily feeds her creation’s voracious appetite, Grizzle continues to grow and change colors, until she’s a frightening Tyrannosaurus rex. When Dad finally comes outside, Emily’s love outweighs her anger. Watts’s artwork illuminates an already luminous story. Each spread is painted in bright, gleaming colors, featuring rosy-cheeked Emily and her fantastical dinosaurs with a backdrop of glistening white snow. Moving with the ebb and flow of her anger, Emily’s imagination soars, revealing the vulnerability of love and offering a make-believe depiction of the real emotional life of children. (Picture book. 4-8)
Pub Date: Feb. 1, 2008
ISBN: 978-1-55041-885-9
Page Count: 32
Publisher: Fitzhenry & Whiteside
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
BOOK REVIEW
BOOK REVIEW
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
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