by Rafael Ordóñez ; illustrated by Marisa Morea ; translated by Laura Victoria Fielden ‧ RELEASE DATE: June 15, 2021
Unlikely to take readers by storm.
A story pits rodents against pachyderms, with a spicy twist.
The elephants in this story have not been informed of the myth that their kind is afraid of mice. They “live a happy life in the jungle. They eat and they sleep without a care in the world.” Mice, on the other hand, do have troubles, namely, “giant elephant feet.” Humorous cartoon art with a 1960s aesthetic emphasizes size differences with scale and placement as the text explains that elephants “are always looking up” because they enjoy bird-watching and gazing at elevated scenery. This means they don’t look where they are going and run the risk of stomping on the poor mice—not to mention crushing them with falling piles of dung, described only as “a very unpleasant surprise” but unmistakably depicted in art. What’s a tiny mouse to do? They call on their “cousins the bats” to fly about and sprinkle the elephants with black pepper. The rationale (rather labored in its explanation) is that this will cause the elephants to sneeze, and their heads will drop when they do so, making them notice the mice. Ultimately, however, it seems that avoiding the discomfort of another threatened pepperstorm (or “tormenta de pimienta” in the original Spanish edition, which publishes simultaneously in the U.S.) is what motivates the elephants to take greater care around their mouse neighbors.
Unlikely to take readers by storm. (Picture book. 3-6)Pub Date: June 15, 2021
ISBN: 978-84-17673-80-2
Page Count: 44
Publisher: NubeOcho
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Terry Border ; illustrated by Terry Border ‧ RELEASE DATE: July 29, 2014
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...
The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.
Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)Pub Date: July 29, 2014
ISBN: 978-0-399-16773-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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