Honest and encouraging, this will get young storytellers started—and perhaps leave them wishing for more.
A guide on how to distill the extraordinary from your own life and find a story to tell.
The unabashed Telgemeier (Smile, 2010, etc.) once more shares her personal experiences on storytelling in a how-to book on finding your own story. Explaining that for her, “the process of creating Smile was therapeutic,” Telgemeier coaxes readers to think about their own experiences by posing questions that will encourage closer looks into themselves, their environments, their families, their personal travel and school stories, their sources of inspiration, and even those supernatural elements that fascinate them. Although the book focuses heavily on creating stories from personal experience, the skills developed are meant to naturally translate into other types of storytelling. By beginning in the known world, Telgemeier gives readers a solid foundation from which to launch their artistic exploration. The book focuses mostly on the brainstorming process, offering lists of questions with space for answers, but it also provides other spaces to write full stories and to storyboard ideas. Readers also get useful tips, such as starting with loose shapes when drawing faces, with step-by-step instructions on how to illustrate faces and facial expressions. It’s very much a place to start rather than a full-on manual, and it does not offer a bibliography for kids who want to pursue graphic storytelling further.
Honest and encouraging, this will get young storytellers started—and perhaps leave them wishing for more. (Nonfiction novelty. 8-12)Pub Date: April 30, 2019
ISBN: 978-1-338-35384-6
Page Count: 144
Publisher: Graphix/Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many.
Young Raina is 9 when she throws up for the first time that she remembers, due to a stomach bug. Even a year later, when she is in fifth grade, she fears getting sick.
Raina begins having regular stomachaches that keep her home from school. She worries about sharing food with her friends and eating certain kinds of foods, afraid of getting sick or food poisoning. Raina’s mother enrolls her in therapy. At first Raina isn’t sure about seeing a therapist, but over time she develops healthy coping mechanisms to deal with her stress and anxiety. Her therapist helps her learn to ground herself and relax, and in turn she teaches her classmates for a school project. Amping up the green, wavy lines to evoke Raina’s nausea, Telgemeier brilliantly produces extremely accurate visual representations of stress and anxiety. Thought bubbles surround Raina in some panels, crowding her with anxious “what if”s, while in others her negative self-talk appears to be literally crushing her. Even as she copes with anxiety disorder and what is eventually diagnosed as mild irritable bowel syndrome, she experiences the typical stresses of school life, going from cheer to panic in the blink of an eye. Raina is white, and her classmates are diverse; one best friend is Korean American.
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many. (Graphic memoir. 8-12)Pub Date: Sept. 17, 2019
ISBN: 978-0-545-85251-7
Page Count: 224
Publisher: Graphix/Scholastic
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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