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SLOW DANCE

A treat for fans of Rowell and of realistic romance.

True love waits.

In high school, Cary, Shiloh, and Mikey were a tightknit trio of quirky kids. Cary and Shiloh loved each other deeply but could never admit it, even to themselves. When they reconnect in their 30s thanks to Mikey, lots of things have changed, and some have not. Cary is still in the Navy—his high school ROTC training and destiny to leave Omaha was something Shiloh hated in high school. He’s stationed in California and spends months at sea. Shiloh is still in Omaha. She has two wonderful children and a jerk of an ex-husband and hasn’t done anything with her life that she thought she would. Both of them are smart, clever, misanthropic, and stubborn. They are also, along with the omniscient narrative voice and tertiary characters, very funny. Rowell does longing like nobody’s business. She pits epic love against relatable, painful foibles. Cary and Shiloh want each other palpably, but they get hung up on little details, feel shame, project, overthink. They struggle mightily to believe they’re lovable. And they aren’t rolling in privilege, having many practical limitations besides her kids and his career: Shiloh has no family other than her mom and can’t afford to travel; Cary has a mother in poor health and a lot of family that can’t help. Just as the things that keep Shiloh and Cary apart are rooted in real-life problems, the things that might bring them together are quotidian and harder to accomplish than any grand gesture: Hope. Communication. Grief and trust. Chapters that dip back in time play to Rowell’s strength writing the confused passions of teenagers and show just how long these two have been absolutely gone for each other. Readers will be desperate to see them work it out.

A treat for fans of Rowell and of realistic romance.

Pub Date: July 23, 2024

ISBN: 9780063380196

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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