Long-Islander Matt wants a used Boston Whaler and has his eye on one that will cost him around $900. It’s 1973, and he’s 14, but earning that becomes a miraculous possibility when he gets a job as a clam digger with his single mother’s friend, Captain Dan. The all-boy adventure of clamming techniques, equipment, blisters and sunburn is palpably real. Side-by-side, on-the-job training with his divorced, taciturn boss, a hardboiled Vietnam vet, deepens Matt’s angst about his remarried father. Then, his first cousin Jazzy comes from Hawaii to visit over the summer. She’s beautiful, fun and interested in him, yet her character is not fully developed. Her motivation and desires are more of a mystery and a disappointing one for Matt, who sees her come on to him and then dump him for a disreputable guy. Her actions and character, though explained, are not clear and end with an inexplicable resolution to their relationship. The culturally forbidden nature of it doesn’t work well, either. However, Fletcher’s insight into Matt and his boat dreams fly off the page with a solid resonance that will make this a quick, light, summer beach read. (Fiction. 13-15)
Pub Date: Aug. 1, 2007
ISBN: 978-0-8050-8143-5
Page Count: 192
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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