Next book

RALPH MASIELLO'S ROBOT DRAWING BOOK

Brainstorming—a book that ought to launch a thousand robots.

Masiello elegantly and joyfully taps into a thankfully enduring artistic tradition: the step-by-step technique that walks readers by hand through the creation of an image on paper.

Just as he has done previously for dinosaurs, dragons and bugs (Ralph Masiello's Dragon Drawing Book, 2007, etc.), here he guides young artists in the creation of robots—“ ’bots,” in the vernacular, as in “Squarehead Thinbot,” “Sparky Springbot” and “Zoidbot.” The artist starts by introducing readers to lines and shapes—nothing is taken for granted—from which can be drawn an elemental robot. He then provides a serious handful of “spare parts,” which can be used to add detail to readers’ creations. The spare-part section is good for sparking the imagination, but the best sparks are thrown by the finished products, which are cool in their radical colors and otherworldliness but not daunting (even if readers are not likely to attain his level of gradients and shadings). Robots are by nature somewhat scary, with their dead, sharklike eyes and sharp edges, and Masiello keeps that spooky quality. But he also knows how to invest them with humor: witness the “Bakerbot,” with a muffin cooking in its belly.

Brainstorming—a book that ought to launch a thousand robots. (Nonfiction. 6-9)

Pub Date: July 1, 2011

ISBN: 978-1-57091-535-2

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

Next book

HORTON AND THE KWUGGERBUG AND MORE LOST STORIES

Fans both young and formerly young will be pleased—100 percent.

Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!

All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.

Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)

Pub Date: Sept. 9, 2014

ISBN: 978-0-385-38298-4

Page Count: 56

Publisher: Random House

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

Next book

THE ULTIMATE BOOK OF CITIES

There’s lots to see and do in this big city.

A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.

Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.

There’s lots to see and do in this big city. (Informational novelty. 6-9)

Pub Date: April 4, 2017

ISBN: 979-1-02760-079-3

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: Dec. 1, 2017

Close Quickview