by Ramona Ausubel ‧ RELEASE DATE: March 6, 2018
Clever literary games.
Eleven stories laced with humorous developments, mythic tendencies, and magical realist premises.
Ausubel (Sons and Daughters of Ease and Plenty, 2016, etc.) is, at heart, a fabulist, and the current collection puts this impulse in the forefront. The stories are grouped in four sections with geographical names—Bay of Hungers, The Cape of Persistent Hope, The Lonesome Flats, and The Dream Isles. Among the “hungers” is a funny piece previously published in the New Yorker: an online dating profile filled out by a Cyclops. It is followed by a more melancholy tale: a woman’s mother is inexorably fading away—not metaphorically, but actually disappearing. Third is “Template for a Proclamation to Save the Species,” in which a Midwestern mayor tries to address his town’s declining population by declaring a designated sex day and offering a prize—a tiny white Ford economy car—for babies born exactly nine months later. The stories in the next section continue the baby theme. “Mother Land” seems to be about the sister of the woman whose mother faded away, though this appears to be the only such linkage among the stories. She has a baby with a white African man, in Africa, and feels very cut off from her real life. In “Departure Lounge,” a woman quits her job as chef to a space program project being carried out on the crater of a volcano in Hawaii to attempt to get pregnant with an old college boyfriend. It turns out high-tech measures will be required. Many of the stories are both interesting and amusing; some are a little juvenile, like “Remedy,” a silly yarn about lovers whose doomed love drives them to have a transplant operation. But this is followed by one of the gems of the collection, "Club Zeus," narrated by a young man who works at a mythology-themed resort. “Most of the staff is Ukrainian, but I’m from California. My job is to be the Wizened Storyteller…. I sit in a hut all day and tell Greek myths to whoever comes in.”
Clever literary games.Pub Date: March 6, 2018
ISBN: 978-1-59463-490-1
Page Count: 240
Publisher: Riverhead
Review Posted Online: Dec. 6, 2017
Kirkus Reviews Issue: Jan. 1, 2018
Share your opinion of this book
More by Ramona Ausubel
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
Share your opinion of this book
More About This Book
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
Share your opinion of this book
More by Donna Tartt
BOOK REVIEW
by Donna Tartt
BOOK REVIEW
by Donna Tartt
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.