Simple, sunny, silly illustrations brilliantly convey the complexities and joys one can unearth when tilling a garden of...
Pomelo, a diminutive, round-eyed, pink elephant child, discovers opposites in his garden world.
Sometimes satisfyingly clear and sometimes comically questionable, all 58 of Pomelo’s opposites engage and delight. Are polka-dot mushrooms really the opposite of striped mushrooms? Many pairings challenge young readers with sophisticated humor, hinting at tacit desires and subtle feelings. In one spread, Pomelo appears with a lustrous head of blond hair with “dream” appearing beneath; on the accompanying page, a bald head sits atop his body with “reality” stamped below. Pomelo’s eyes look identically plaintive in both portraits—a perfect punch line. These illustrations, rich with implicit suggestions, prompt parents to offer explanations or (better yet!) solicit interpretations from their children. Some opposites, thankfully, are just downright silly. Watch Pomelo, whose body crosses the book’s gutter, open w-i-d-e for a round, red fruit (“in”) on the left page, and see his tail raised to expel an identically spherical poo (“out”) on the right. The book’s pace quickens as it advances, and more and more quirky, nonsensical, complicated pairings crop up. The speedy delivery of associations starts to feel like an exciting, wild ride. Images, words and meanings volley back and forth, bouncing from page to page and between this clever book and readers’ imaginations.
Simple, sunny, silly illustrations brilliantly convey the complexities and joys one can unearth when tilling a garden of language. (Picture book. 4-6)Pub Date: July 15, 2013
ISBN: 978-1-59270-132-2
Page Count: 120
Publisher: Enchanted Lion Books
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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