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ONE DARK AND DREADFUL NIGHT

Fairy tales run amok in this great poke at the stories of “unfortunate events.” Maestro Von Haughty is the curly-mustachioed director of the Wayward Orphans Theatre. He plans to present three “tales of terror and misfortune.” But it seems as though his young charges have had enough trouble in their lives, as they attempt to liven up the tales and cause disaster for the director. Lilly Riley-Hood chooses to act out the part of a fairy princess in the Wild West. The cast begins again, but Jack’s Giant turns out to be a huge bunny—definitely not dark and dreadful. And when the giant bunny rescues Hansel and Gretel, the curtain closes on Von Haughty and his cheer-seeking orphans. Villainous-looking Von Haughty narrates, while the illustrations are interspersed with the hilarious and often astute comments of the child actors. Cecil’s illustrations are definitely a high point; readers will see orphans holding up the props and standing on each other’s shoulders to act out the grown-up parts, and small details will keep them searching the pictures even after countless retellings. A hysterical addition to any fractured-fairytale collection. (Picture book. 4-10)

Pub Date: Aug. 1, 2004

ISBN: 0-8050-6779-5

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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THE LEMONADE WAR

From the Lemonade War series , Vol. 1

Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)

Pub Date: April 23, 2007

ISBN: 0-618-75043-6

Page Count: 192

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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