by Randy Lowenstein & John Taylor & developed by MegaPops ‧ RELEASE DATE: Aug. 1, 2011
It's too early to tell if the running joke of Millie's outsized adventures will get old, but at least in this first set of...
A new app series that combines several genres and styles to create a doggie adventure that feels fresh, Millie Was Here is off to a fetching start with a free preview—Meet Millie—and this separate full-length story.
Millie is a globe-trotting adventurer—though you would probably never know it if the mundane photos she's featured in hadn't been modified to put her on computer-generated planes or facing real-life boats with pasted-in pirate flags. The entire story is like that: overheated narration and text juxtaposed with otherwise plain dog-about-town pictures. "The island was dark and mysterious," the narrator intones as the fluffy black-and-white lapdog stands, leashed, in a pleasant urban park. But the trick works because the app is designed so well and has a sense of humor. It offers surprises on every page, from pull tabs that reveal hidden treasures to scratch-off games and hidden collectible cards. Though Millie's quest for the Lost Key to Endless Bacon feels a bit longer than necessary at 22 pages, the clever touches throughout, such as a stuffed animal who that is Millie's evil archenemy, are amusing and well-executed. Sound design, navigation and music are all high-quality, and a "Bedtime Mode" option that lowers the volume and dims the screen for nighttime reading is a welcome feature.
It's too early to tell if the running joke of Millie's outsized adventures will get old, but at least in this first set of apps, Millie more than earns whatever kibble App Store sales may provide for her. (iPad storybook app. 4-10)Pub Date: Aug. 1, 2011
ISBN: N/A
Page Count: -
Publisher: MegaPops
Review Posted Online: Sept. 3, 2011
Kirkus Reviews Issue: Oct. 1, 2011
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by Jennifer Taylor & Randy Lowenstein & illustrated by Jennifer Taylor & Randy Lowenstein & developed by MegaPops
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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