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AFTER THE SHOT DROPS

A well-executed book featuring complex, diverse characters we rarely meet—a real winner for its heartbeat, compassion, and...

Awards & Accolades

Our Verdict

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  • GET IT


Google Rating

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  • Kirkus Reviews'
    Best Books Of 2018

Basketball provides the backdrop for a friendship pushed to its limits in this tale told from the alternating perspectives of two teen boys growing up in a tough inner-city neighborhood reminiscent of Camden, New Jersey.

Biracial Nasir and African-American Bunny had been best of friends until last summer, when Bunny, Whitman High’s star basketball player, is recruited away to private, suburban St. Sebastian’s and its high-powered basketball program. The once-prideful reputation that he garnered winning for the home team, à la real-life Camden legend Dajuan Wagner, turns to insult, rage, and anger as his former classmates question whether Bunny is preparing to leave them and the neighborhood behind for good. After losing Bunny, Nasir begins to build a relationship with his perennially troubled black cousin Wallace, a wayward child who needs much more support than the world has afforded him and who lashes out frequently in numerous exhausting ways. Meanwhile, the lightning-smart Keyona, Bunny’s girlfriend and biggest remaining Whitman fan, hopes to rekindle the friendship between Bunny and Nasir. By and large avoiding upfront race talk, Ribay makes his point by drawing characters of color full of complexity and contradiction. A genuine touch of Filipino flavor—Nasir’s mom grew up in the Philippines—demonstrates that one can step beyond reductive black/white–only portrayals of inner-city neighborhood life.

A well-executed book featuring complex, diverse characters we rarely meet—a real winner for its heartbeat, compassion, and integrity. (Fiction. 14-18)

Pub Date: March 6, 2018

ISBN: 978-1-328-70227-2

Page Count: 336

Publisher: HMH Books

Review Posted Online: Dec. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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