by Randy Siegel ; illustrated by Serge Bloch ‧ RELEASE DATE: Jan. 10, 2017
Worth every penny.
A penny’s rough-and-tumble escapades lead to unexpected ends in Siegel and Bloch’s engaging picture book.
The protagonist penny’s journey begins in Philadelphia, where the United States Mint manufactures most U.S. pennies. “Born” in 1983, Siegel’s diminutive protagonist visits different parts of the U.S. spanning Portland, Maine, to Portland, Oregon, “plus Alaska, Hawaii, and Puerto Rico,” and including a garage floor in Green Bay and a stamp machine in Ohio. Most of the time people just plain overlook this plucky one-cent coin. “I hated being alone and forgotten.” After the penny ends up in a jar with other unfortunate coins, it reminisces about the past, when things weren’t so expensive. Though Siegel’s text often dwells on the neglect and (comically overwrought) abuse inflicted on the penny-protagonist, the author does also appeal to the coin’s historical roots, sprinkling in moments of levity and informative goodness. (One marvelous spread even outlines the different metals used to create pennies throughout the years.) Luckily, Bloch’s off-kilter, at times almost grotesque, pen-and-Photoshop illustrations provide some much-needed chuckles, featuring various people and animals with contorted faces and wacky scenarios. Still, it’s all about the wonders of the penny, and Siegel’s protagonist proves an excellent ambassador. “Some folks think pennies are worthless, but I know we are worth a lot.” Here’s a book sure to convince some readers.
Worth every penny. (historical note, selected facts, resources) (Informational picture book. 4-8)Pub Date: Jan. 10, 2017
ISBN: 978-1-62672-235-4
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 4, 2025
Another endearing and amusing outing with these winsome characters.
The Crayons love a holiday, and Mother’s Day is no exception.
Every color is different, and so is every mom. Purple’s mother, seated cross-legged in a yoga pose, “doesn’t color inside the lines.” Red’s works tirelessly to support her family, which sometimes means missing holidays. White Crayon adores his mother, “even though he can’t see her” (the accompanying image shows both crayons fading into the white background), while pale lime green Esteban’s mom supports his “dreams of adventure” by helping him pack. All the Crayons celebrate their families on this day, and not all the parents look like their children or are mothers. Laudably, Daywalt and Jeffers depict a variety of different families, allowing many readers to feel seen: Black can’t contain her love for both her mothers, the hair-covered brownish-beige Barfy Crayon embraces his stepmom, Chunky Toddler (a chubby crayon with a bite taken out of him) pays tribute to his dad on Mother’s Day, Yellow and Orange honor their grandmother, and Maroon, presumably adopted, sings the praises of his mom, a pot of glue who literally holds the family together. As in previous Crayon books, Jeffers’ elegantly quirky and humorous illustrations complement Daywalt’s delightful text, which adeptly balances humor and heart.
Another endearing and amusing outing with these winsome characters. (Picture book. 4-8)Pub Date: Feb. 4, 2025
ISBN: 9780593624586
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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