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SIA MARTINEZ AND THE MOONLIT BEGINNING OF EVERYTHING

Luminous, genre-bending, and out of this world.

Sia’s mother was deported three years ago by the town sheriff; she disappeared after trying to make her way back across the Sonoran Desert to her family.

Grieving Sia is plagued daily by the sheriff’s hateful son, but the Mexican American teen is bolstered by her Haitian American, questioning best friend, Rose; her loving park ranger father, who has a Ph.D. in biology; and the spirit of her late grandmother, who continues to communicate with and guide her. She falls for a mysterious, poetry-loving White boy, and, together, they spot a spacecraft bearing Sia’s mother. What follows is an electrifying, high-stakes adventure filled with shady government agencies and conspiracy theories come to life. Vasquez Gilliland adeptly balances first love, Mexican American cosmology and Catholicism, X-Files–level intrigue, and undocumented immigration. She doesn’t shy away from frank explorations of trauma; interrogation of Whiteness; and sex-positive, swoon-inducing makeout sessions that center a young woman’s perspective. The poetic prose elevates the story into a magical triumph. Sia is a vulnerable, sympathetic protagonist who, despite a past traumatic sexual experience, the deportation of her mother, and the constant barrage of egregious micro- and macroaggressions, finds hope in her relationships, culture, and connection to her ancestors. Spirituality is woven into everything Sia does and will resonate with many readers. The whip-smart humor lends the novel a breeziness that keeps the narrative lighthearted in between the truly hair-raising moments.

Luminous, genre-bending, and out of this world. (Science fiction/contemporary. 14-adult)

Pub Date: Aug. 11, 2020

ISBN: 978-1-5344-4863-6

Page Count: 432

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: May 31, 2020

Kirkus Reviews Issue: June 15, 2020

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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HATCHET

A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.

Pub Date: Sept. 1, 1987

ISBN: 1416925082

Page Count: -

Publisher: Bradbury

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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