A far cry from the great early stories, but filled with a nostalgic charm that vitiates Bradbury’s notorious rhetorical...
At last—a book you can judge by its cover. For this one sports a wonderfully macabre illustration born of Charles Addams’s brief collaboration with master fantasist Bradbury, best known for such classic fiction as The Martian Chronicles (1950) and Fahrenheit 451 (1953).
First conceived in 1945 (as a disarming afterword informs us) and only recently finished, this volume records the return appearance of “the October people,” an otherworldly family initially encountered in Bradbury’s early short story “Homecoming.” They hail from ancient Egypt and Old Europe and have levitated in a hinterland between life and death for lo, these many centuries. Now ruefully aware that “the age of discovery and revelations” has rendered them obsolete, they take in a foundling named Timothy designated as the family’s historian (and this novel’s narrator). Timothy’s tale comprises an episodic succession of portraits of family notables, including its rather portentous matriarch (“A Thousand Times Great Grandmère”); visionary Cecy, who can “inhabit” the bodies and souls of various human, animal, and inanimate objects; Uncle “John the Unjust”; and (most amusing of them all) winged Uncle Einar, whose trafficking with humans creates numerous aerodynamic problems. (Whenever he falls to earth, he makes a sound “like a huge telephone book dropped from the sky.”) They all eventually succumb to the indifference of a world disinclined to believe they exist (an interesting parallel here to Neil Gaiman’s current American Gods, p. 682), and Timothy—a reverse Pinocchio who yearned to become an unreal boy—realizes he must after all live in a fallen, unimaginative world where relatives don’t fly or influence the thoughts of rocks and stones and trees.
A far cry from the great early stories, but filled with a nostalgic charm that vitiates Bradbury’s notorious rhetorical laxness and sentimentality. One of his most attractive and satisfying works in quite some time.Pub Date: Oct. 1, 2001
ISBN: 0-380-97382-0
Page Count: 208
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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