by Ray Bradbury ‧ RELEASE DATE: May 28, 1992
Bradbury goes mainstream with a hymn to Ireland and alcohol, focusing on writing a screenplay with John Huston for the director's film Moby Dick. Set in Dublin and the Irish countryside where legendary director Huston has settled in as a squire, the story and the Irish gift for gab allow Bradbury's love of metaphor to find a basis he's never known before. With all of the silver-tongued folk speaking inspiredly in the normal tenor of their stout-and whiskey-fueled conversation, Bradbury spouts eloquence as naturally and exuberantly as John Millington Synge—and fine talk it is you'll be hearing. Young Bradbury arrives at the Huston estate in awe of Huston and instantly finds himself in company with a laughing ogre given to whiskey pranks and the famed man's false bonhomie. The episodic plot circles about a wedding that Huston decides to throw for a longtime friend, less about the actual scriptwriting and difficulties met in harnessing the White Whale to the needs of Hollywood. Other eddies include the (fictitious) arrival of teetotaler George Bernard Shaw at Heeber Finn's pub, during which the old renegade outtalks even the most inspired of the whiskey-laced barfolk; the pub's reaction to a visiting team of gay ballet dancers, which turns wittily on Finn's recognition that the Irish male is closer in nature to these gays than one would suspect; and on Huston's savaging of Bradbury's self-esteem. It rains twelve days out of ten in Ireland, we discover: "I stood looking at the gray-stone streets and the gray-stone clouds, watching the frozen people trudge by exhaling gray funeral plumes from their wintry mouths, dressed in their smoke-colored suits and soot-black coats, and I felt the white grow in my hair." Despite the apt but sad romanticizing of alcohol, and an unfortunate title echo of Peter Viertel's novel White Hunter, Black Heart (about Viertel's scripting The African Queen with Huston), Bradbury's triumph. He has never written better.
Pub Date: May 28, 1992
ISBN: 0380789663
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
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by Ray Bradbury ; edited by Jonathan R. Eller
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by Ray Bradbury
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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