by Ray Suarez ‧ RELEASE DATE: April 23, 2024
A provocative work that urges reconsideration of immigration rights in a nation of immigrants.
A broadcaster delivers a charged account of the lives of immigrants.
When Donald Trump snarled to the members of Congress’s progressive “Squad” that they should “go back where they came from,” although three of the four were U.S. born, “it was not a violation but a reminder,” implying that although they were as American as Trump, they were somehow different. “I heard what he said and immediately knew what he meant,” writes Suarez, author of Latino Americans. “And so did you.” It’s something most immigrants experience at some point, more so if they lack the required paperwork. One of Suarez’s subjects is a first responder whose heroic actions during a Houston hurricane saved many lives; despite this, he is subject to “regular reminders he is not like his neighbors”—at least until his immigration status is settled. The son of Hungarian immigrants recounts that although both parents were experienced doctors, they were denied accreditation until they went through another internship and residency, doubtless a way to keep outsiders out rather than any bulwark for reasons of safety, given the shortage of doctors in the country. In this blend of oral and social history, Suarez turns up a fascinating account of a Sikh who came to the U.S., served in the Army during World War I, and was granted citizenship by a federal court, which was then revoked by the Bureau of Naturalization for reasons of race, with an appellate court asked to rule on the question, “Is a high-caste Hindu of full Indian blood…a white person?” Sadly, such racial divides endure, as strong as ever. The easiest-going of Suarez’s subjects is a blonde New Zealander who admits, “I was very conscious of the difference between me and other undocumented people.”
A provocative work that urges reconsideration of immigration rights in a nation of immigrants.Pub Date: April 23, 2024
ISBN: 9780316353762
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Feb. 9, 2024
Kirkus Reviews Issue: March 15, 2024
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by Howard Zinn with Ray Suarez
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by Bill Maher ‧ RELEASE DATE: May 21, 2024
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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