A provocative work that urges reconsideration of immigration rights in a nation of immigrants.
A broadcaster delivers a charged account of the lives of immigrants.
When Donald Trump snarled to the members of Congress’s progressive “Squad” that they should “go back where they came from,” although three of the four were U.S. born, “it was not a violation but a reminder,” implying that although they were as American as Trump, they were somehow different. “I heard what he said and immediately knew what he meant,” writes Suarez, author of Latino Americans. “And so did you.” It’s something most immigrants experience at some point, more so if they lack the required paperwork. One of Suarez’s subjects is a first responder whose heroic actions during a Houston hurricane saved many lives; despite this, he is subject to “regular reminders he is not like his neighbors”—at least until his immigration status is settled. The son of Hungarian immigrants recounts that although both parents were experienced doctors, they were denied accreditation until they went through another internship and residency, doubtless a way to keep outsiders out rather than any bulwark for reasons of safety, given the shortage of doctors in the country. In this blend of oral and social history, Suarez turns up a fascinating account of a Sikh who came to the U.S., served in the Army during World War I, and was granted citizenship by a federal court, which was then revoked by the Bureau of Naturalization for reasons of race, with an appellate court asked to rule on the question, “Is a high-caste Hindu of full Indian blood…a white person?” Sadly, such racial divides endure, as strong as ever. The easiest-going of Suarez’s subjects is a blonde New Zealander who admits, “I was very conscious of the difference between me and other undocumented people.”
A provocative work that urges reconsideration of immigration rights in a nation of immigrants.Pub Date: April 23, 2024
ISBN: 9780316353762
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Feb. 9, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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