by Ray Suarez ‧ RELEASE DATE: April 23, 2024
A provocative work that urges reconsideration of immigration rights in a nation of immigrants.
A broadcaster delivers a charged account of the lives of immigrants.
When Donald Trump snarled to the members of Congress’s progressive “Squad” that they should “go back where they came from,” although three of the four were U.S. born, “it was not a violation but a reminder,” implying that although they were as American as Trump, they were somehow different. “I heard what he said and immediately knew what he meant,” writes Suarez, author of Latino Americans. “And so did you.” It’s something most immigrants experience at some point, more so if they lack the required paperwork. One of Suarez’s subjects is a first responder whose heroic actions during a Houston hurricane saved many lives; despite this, he is subject to “regular reminders he is not like his neighbors”—at least until his immigration status is settled. The son of Hungarian immigrants recounts that although both parents were experienced doctors, they were denied accreditation until they went through another internship and residency, doubtless a way to keep outsiders out rather than any bulwark for reasons of safety, given the shortage of doctors in the country. In this blend of oral and social history, Suarez turns up a fascinating account of a Sikh who came to the U.S., served in the Army during World War I, and was granted citizenship by a federal court, which was then revoked by the Bureau of Naturalization for reasons of race, with an appellate court asked to rule on the question, “Is a high-caste Hindu of full Indian blood…a white person?” Sadly, such racial divides endure, as strong as ever. The easiest-going of Suarez’s subjects is a blonde New Zealander who admits, “I was very conscious of the difference between me and other undocumented people.”
A provocative work that urges reconsideration of immigration rights in a nation of immigrants.Pub Date: April 23, 2024
ISBN: 9780316353762
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Feb. 9, 2024
Kirkus Reviews Issue: March 15, 2024
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More by Howard Zinn
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Ray Suarez
BOOK REVIEW
by Ray Suarez
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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More by Rebecca Stefoff
BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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